Katharina Niemeyer, Media and Nostalgia
Describes and discusses nostalgia in different forms of media. Relevant to my project as it discusses the longing for the pasts even in society through different forms of media.
Although it's more specific to media, I can use it as a reference of nostalgia.


Danielle Bruggeman, Fashion Theory, Fashioning Memory: Vintage style and culture
Talks about the vintage culture which is relevant to my project.
Talks about the vintage culture which is relevant to my project.
‘an expanding memory culture propelled through the accumulation and circulation of the past in material and visual culture.’ P317
‘the past is increasingly present in contemporary society’ p318
‘a paradoxical present structures contemporary times could add an interesting perspective to the ways in which the old and the new co-existent, co-dependent.’ P319
Jens refers to Carol Tulloch ‘wearing garments as a form of story-telling about oneself.’ (p.81) p320
‘the vintage trend, the wish to play out the old “against the fast changing new, the ‘ephimerality’ of fashion” and the desire for authenticity and uniqueness in todays commodified culture.’ p321
Gaze - Lutz and Collins, 1991
represented by the camera's eye and leaves its clear mark on the structure and content of the photograph.’ (p.137)
Proposal plan and outline
David Bate, ch4, Portraits reading
Portraiture is more than ‘just a picture’, it is a place of work: a semiotic event for social identity’
‘purpose is both the description of an individual and the inscription of social identity’
‘focus is used in photography and film to indicate relevance and importance.’ (p.34)
‘a sign whose purpose is both the description of an individual and the inscription of social identity.’ (p.69)
More on portraiture on the W3 blog post.
‘focus is used in photography and film to indicate relevance and importance.’ (p.34)
‘a sign whose purpose is both the description of an individual and the inscription of social identity.’ (p.69)
More on portraiture on the W3 blog post.
Gaze - Lutz and Collins, 1991
represented by the camera's eye and leaves its clear mark on the structure and content of the photograph.’ (p.137)
Proposal plan and outline

































